If Spoonflower’s Winter 2018 Magazine doesn’t make you want to start a sewing project, nothing will! Check out all the project ideas and luscious fabrics, including my Time Travel Map (pg. 57) and Significant Otters (pg. 63). (There are fun DIY projects featuring wallpaper, too, for those of you who don’t sew.) Now get crafting!
Being a one-time Nebraskan and an all-time tinkerer-with-things-to-make-them-better, from logos to household appliances, I was super excited to see that Skillshare is hosting a contest to redesign the Nebraska state flag.
Kaye’s first rule, “Keep it simple: The flag should be so simple that a child can draw it from memory,” especially resonates with me – I always strive to have logos I design be something you could sketch out with a pen on a napkin and still recognize.
So I got to thinking about Nebraska – I haven’t been there in 20+ years, but in some ways I think that’s helpful when designing a flag, because it’s easier to distill a place down to its essence when you’re not right in the middle of it.
The number one thing I remembered and loved was the sky – wide and blue, crossed with clouds that cast far-reaching shadows across the open land, filled up with storm clouds and once a gathering tornado I wasn’t allowed to watch, being banished to the basement. So I knew right away the top half of my flag would be blue for sky.
When I think of Nebraska, I also think of fields of yellow – goldenrod dotted with red-winged blackbirds,
corn tassels, prairie grass, the Sandhills. The current Nebraska flag is also blue with a gold/yellow state seal (like 23 other state flags!), so I liked that these colors refer back to the historic flag.
Looking at maps of the state, I was struck by how the Platte River makes a graceful swoop across the state, which is almost rectangular, and decided to use that swoop as a distinctive and place-specific way to divide my blue and gold sections. After I went through a few iterations of color and line width, this is my final product:
Having seen other flag re-design missions falter, including Mars’s campaign to revamp San Francisco’s city flag, I’m not sure if this one will officially go anywhere (change is hard, I know). But I’m eager to see what other people come up with!
My Boxy Foxy fabric came in seventh in this week’s Spoonflower Tangrams contest – thank you to everyone who voted! It was fun and a little bit challenging to work with tangrams – they’re easy to draw, because they’re just geometric shapes, but I tried a few different ideas before I found a way to make them visually interesting. I enjoyed seeing how many images I could build with just simple shapes.
So it was fun to study old wooden spools and come up with my own take on them, combined with stitched leaves, for my Thread Garden design. This was a limited-color-palette contest, using Pantone’s Greenery color of the year, plus black, white and tan. I really like the fresh, spring green of Greenery.
I’m pleased to announce that my entry in Spoonflower’s “Grandma’s Kitchen” tea towel design challenge made the top 10 this week! This was such a fun theme to work on — starting with going through recipe cards with my mom to pick out a few family favorites.
We settled on my grandmother’s sugar cookie recipe, for which she was mildly famous (at least within our extended family). She used to press the cookies flat with the cut-glass bottom of a drinking glass before baking them, leaving a pretty flower pattern on the cookies. When she passed away, each of her kids got one of the glasses so they could carry on the tradition. Pretty cool.
Of course, my grandmother knew her recipes so well she never had to write anything down, so this recipe card is actually written in my mom’s handwriting, and carries the marks of many years of vanilla extract and buttery fingers.
I decided to play against the vintage scanned recipe card with more modern accents, like a stylized drinking glass and cookies and simplified lace doilies in the background.
Last week’s Spoonflower theme was Prohibition Cocktails – it turns out that America’s ban on alcohol in the 1920s gave rise to some clever mixed drinks, most of them designed to conceal the less-than-ideal flavor of bathtub gin.
After considering the Whiskey Sour (with fun-to-draw cherry garnish), the Sidecar (with its whiff of Jazz Age elegance) and the Gin Rickey (F. Scott Fitzgerald’s drink of choice), I settled on the Bee’s Knees, because it sounded good (gin, honey and lemon juice), and because I like to draw bees. (Nobody said artists were entirely logical creatures.)
I studied up on Art Deco style, picked the honey-est yellows and dug out some vintage-looking fonts, then ran the whole thing through the excellent Mister Retro Permanent Press filter to give it a vintage printed look.